ARTHUR STREETON (1867-1943) The Lagoon and Barges, Venice 1908-1910 Zinc etching, 25.5 x 35.5 cm THE COLLECTION OF MICHAEL ADCOCK Reference: Exhibition catalogue, Queenscliff Gallery and Workshop, 2017: Streeton Prints, pp. 12-13. Context This beautiful etching came into my collection by the most fortuitous sequence of events imaginable. I had
(Trashed by Carolyn Hawkins edition of 8 print size: 45 x 60cm etching) We take this opportunity to congratulate the Geelong Gallery Acquisitive Print Award finalists. QG&W are thrilled to be a huge part of the award this year and look forward to hosting the finalist who wins the QG&W residency.
We thank the Grossi family and team for purchasing Natura Morto by Graeme Peebles and taking appropriate measures in seeking Graeme's permission to reproduce the etching for the restaurant menu. Visit Grossi Florentino.
How did this exhibition come to fruition? After successfully restoring 11 of 12 plates and realising we would be able to edition Sir Arthur’s prints, the artist’s grandson William Streeton asked if there was any way the opportunity could transform into something more for QG&W. William was impressed with our
There have been many enquiries about the technical details of Sir Arthur Streeton's zinc and copper plate posthumous prints and we find this understandable given today's broad use of the term 'limited edition prints'. People unfamiliar with printmaking can't be expected to know the details. Queenscliff Gallery &
QG&W is officially 1 year old today. First and foremost we express our thanks to the incredible Australian printmakers who make our space what it is. This video was made to show the heartfelt efforts of everyone involved with QG&W. We look forward to a very exciting 2017.
A huge thank you to The Weekend Australian Magazine for featuring Into The Light, the Sir Arthur Streeton story about the posthumous prints QG&W is editioning. QG&W are closely collaborating with the Streeton family and together, planning Streeton Prints an exhibition with associated events that celebrate the never before publicised
As we continue to establish QG&W, predominately exhibiting the work of Australian printmakers and offering art and print workshops to the general public, we feel it is important to also collaborate with the institutions that provide great arts education and support arts students. Together with RMIT, it is our great
'We feel it's fair when visitors to the gallery ask, where did you come from?'. Theo and Soula are aiming to create an exceptional Australian gallery and workshop and so it makes alot of sense that their new community, gallery visitors, patrons, workshop participants, and new artists, ask this question.