It is QG&W's great honour that the posthumous prints of Sir Arthur Streeton will form part of the Sweeping Landscapes exhibition at Whitehorse Artspace next month. Whitehorse Art Collection acquired Wheat Sheaves during the Streeton Prints exhibition in 2017. The full set of posthumous prints will sit with a drawing of Streeton
In August last year, the Geelong Gallery inaugural QG&W Print Award residency was awarded to Peter Garnick for his work, Elements. A multi-panel etching which pays homage to the fundamental role of women in ensuring the survival of our species. The award prize gave Peter five days access to QG&W's print
A fantastic opening celebration for Graeme Peebles' survey exhibition, From Velvety Depths. Huge thanks to all who attended and especially Gordon Craig, curator Rockhampton Art Gallery Queensland and great friend of Graeme's who official opened the exhibition. Most appropriate for Gordon to do the honours after having written a
Four Weekends in Queenscliff June 22-24 | June 29-July 1 | July 6-8 | July 13-15 As Winter enters its darkest weeks, Queenscliff launches the inaugural Low Light Festival, bringing the finest international and local arts and culinary talents in a month-long celebration of all the senses. Queenscliff was, for many
They were ALL winners...! Truly and impossible task but we based our decision on creative expression, creative use of medium and, of course, imagination. Congratulations to Jack Salter, Georgia Ruby Hazell and Joanna Cameron-Johnson. Keep on drawing!! A huge thank you to the Queenscliffe Literary Festival for inviting us to
Peter Lamont, director of Handmade Films (Australia) works tirelessly on films for the arts industry. Theo and Soula first met Peter when he approached Soula wanting to make an art film. What resulted was The Hurting Strings – An Artist's Story of Pain, a documentary that ended up winning
QG Art Consultation For a small refundable consultation fee (upon purchase of art), QG combines their consulting and image manipulation skills to create a realistic view of acquisition options for their clientele. It can be difficult to visualise how an art piece may look in situ, not to mention
Brett Mallon, 2018 This year's recipient, Brett Mallon not only worked the full five days but Brett accessed the studio before and after hours and continues to access the print studio to complete the body of work he began in Queenscliff. After just a couple of days, Brett established
A most wonderful evening with John Bell, Anna Volska, the Queenscliffe Literary Festival team, & guests. Thank you also Shelter Shed Leura Park Estate @thePoint and @ChristineWrest-Smith, a special drawing from life.
Queenscliff, by Lucinda Tanner. Two colour wood block print published and available exclusively at QG&W
We would like to thank and congratulate the Cottage by the Sea, Queenscliff Fundraising Branch on a fantastic fundraising luncheon at the Point Lonsdale Hall. It was a great honor for Theo to have been invited as guest speaker for the luncheon and not only be given the chance to
WINNER: PPP People's Choice Award Thank you to Ross Ebbels of Tourism Greater Geelong & the Bellarine for announcing the People's Choice and raffle ticket winners at the official closing of the PPP. Congratulations to, Cleo Wilkinson, winner of the PPP People's Choice Award with her work Pledge. Pledge
We are thrilled to announce and congratulate Peter Garnick, winner of the Inaugural Queenscliff Gallery & Workshop residency award (Image: Reg Ryan Photography) Geelong Gallery Director, Jason Smith, last night announced that Dianne Fogwell was the 2017 recipient of the Geelong
Congratulations to Olivia Mazzone, winner of our inaugural Peebles Print Prize with her work, 38°29'39'' S 144°52'56'' E (Order #2) High commendations by Hertha Kluge-Pott to Michele Kershaw for Re:Sown and Jo Lankester for Rhytidome Viscaceae - Townsville II. Thank you to Jason Smith, (Geelong Gallery) and Hertha Kluge-Pott
(Excerpt from the Introduction in Hertha Kluge-Pott: Printmaker by Hilary Maddocks) 'Hertha Kluge-Pott has been on of Australia's foremost printmakers for more than half a century. Born in Berlin in 1934, she belongs to that generation of European migrants that so greatly enriched Australia's cultural landscape post-World
(Image: Magpie zinc etching on Somerset edition of 50 print size: 25.5 x 35.5cm posthumous print by: Theo Mantalvanos) Sir Arthur Streeton's unseen etchings were exhibited in Mar - April of 2017 The posthumous prints can be viewed at the gallery or online. Media information Geelong Advertiser - Sir
