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Artist: Julianne Ross Allcorn Artwork size: 32 x 32cm Medium: Pencil and watercolour on Birchwood panel Price: $1,600 framed Artist's Statement A moment caught at the beginning of spring, teaching the young to play. These are the sights I see out my studio window in the valley. -
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Artist: Mary-Louise Edwards Paper size: 29.5 x 21cm Medium: Pastel on paper Price: $900 unframed -
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Artist: Julianne Ross Allcorn Artwork size: 103 x 47cm Medium: Watercolour and pencil on French tissue paper Price: $6,500 framed Artist's Statement Created on one of my art residencies in La Porte Piente, Noyers sur Serein, Burgundy, France on layered French Tissue Paper with watercolour and pencil I wanted to capture the weird elegance of these ancient plants, their spire of hundreds of flowers that attract birds from all around and the way they quietly waltz in the bush. Inspired by the forest of Xanthorroea hidden in the Coolah Tops National Park NSW where I have had the opportunity to hold workshops at the Arnott Homestead. -
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Artist: Mary-Louise Edwards Paper size: 29.5 x 21cm Medium: Pastel on paper Price: $900 unframed -
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Artist: Julianne Ross Allcorn Artwork size: 51 x 123cm Medium: Pencil, gouache and watercolour on Birchwood panel Price: $8,500 framed Artist's Statement The Bathers in a Woven Landscape is a meditation on the female form, artistic legacy, and the presence of women as creators, not just subjects. Inspired by a life-drawing workshop I led, where a model posed in gestures drawn from Degas, Lautrec, Schiele, and Bonnard, the work takes historical male perspectives as a point of departure, not conclusion. Interwoven are imagined conversations with women artists past and present: Amber Creswell-Bell, Wendy Sharpe, Suzanne Valadon, Alice Neel, Laura Knight, and Paula Modersohn-Becker. Their voices I seek to respect and bring forward into art history. Set in the Australian bush, a landscape I deeply respect and spend much of my time in capturing all she offers, the figures merge with their environment, reclaiming visibility and space. Working in mixed media on wood panels, I embed texture, layers and memory into the surface. At its core, this work is about respect for women, for nature and for the enduring strength of the female artist. -
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Artist: Elmari Steyn Unique State Print size: irregular Paper size: 31(h) x 31(w)cm Medium: multiplate etching, aquatint and chine-collé, hand colouring with 23k gold leaf Price: $950 framed Artist's statement The man said he knew of this tree, growing on a dark, backwater bank. Here, he would often lower his anchor, tie his boat and fish all day. Wind-blown the tree stood, proudly bowed in strength, her roots wise and buried deep. His boat was new, the wood still young and freshly oiled. The tree watched it rocking on the tide, the high, proud bow, the gleaming planks and under the stillness of the sky, she fell in love. She let her leaves whisper to the new wood, shade it from the sun, showered it with blooms and fragrance. Then, on a cold evening, with the river veiled in mist, the boat nestled firmly into the mud and rocks. It chose to stay, tied to his tree. -
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