Mapping the Moons_v28 McPherson_Megan Lisa Sewards_Drifting around the globe_etching2020 Patch-work-Andrew-Weatherill

McPherson / Sewards / Weatherill

A QUEENSCLIFF GALLERY FOCUS EXHIBITION VIEW EXHIBITION VIRTUAL TOUR Official Closing
27 Sep
10 Sep
— 28 Sep, 2020
Mapping the Moons_v28 McPherson_Megan
Welcome to Queenscliff Gallery2020-09-12T10:35:30+10:00

Queenscliff Gallery Vision

To be recognised as a destination Australian art gallery

COVID19 Gallery Hours*
Monday by appointment
Tuesday closed
Wednesday by appointment
Thursday by appointment
Friday by appointment
Saturday by appointment
Sunday by appointment

*By appointment. Buzz to enter. Masks essential.

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EXHIBITIONS

Exploring the notion of identity through the prism of space and time, three artists employ traditional and contemporary techniques to express their perceptions of the ways – fixed and fleeting – in which person occupies place.

Exhibition dates: Sep 10 —28, 2020
Official closing (if possible): Sep 27, 2 pm – 4 pm, 2020

Megan McPherson is an artist and printmaker contemplating the consequences of identity on space, their effect on the way we live in the world, and how we measure and fix spaces affected by our time in them.

Lisa Sewards uses traditional intaglio printmaking, etching on photopolymer plates, and digital technology to examine the parachute paradox: a symbol of hope and strength that floats, passive and delicate, on air.

Andrew Weatherill navigates changing landscapes to investigate perception, location and the value of memory, interweaving paint, photography and intaglio printmaking to illustrate the shifting point of contact between mass and space.

Warren Cooke / Wayne Viney

Oct 1 10:00 amOct 19 4:00 pm

Exploring the way in which two artists see and interpret place, with contrasting results.

DATES
Exhibition dates: Oct 1 —19, 2020
Official opening (if possible): Oct 4, 2 pm – 4 pm, 2020

Warren Cooke

Warren is a printmaker whose artwork reflects his relationship with landscape and life.

Driven by feelings evoked by distant memories, Warren re-visits the places where he grew up and, in so doing, rediscovers parts of his life.

His recent work reflects his current life on the Mornington Peninsula; the rich natural environment – as seen from both land and sea – given form and colour by time, emotion, mindset, memory and mood.

Wayne Viney

Wayne draws upon the painterly potential of monotypes to create the moody twilight studies for which he is best known.

The sea and sky monotypes continue his practice of simplifying the landscape, working within a simple geometric format to explore the nuances of colour to find a balance between figuration and abstraction, light and darkness.

The work is about the sea and the sky, the place where the sky and land, and land and water converge. It is essentially non-representational. The ambiguity of the subject matter hopefully allows the viewer to experience the image

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Welcoming Andrew Totman

Andrew Totman’s work was first introduced to QG&W during the 2019 Peebles Print Prize. In fact Andrew was the 2019 Peebles Print Prize Highly Commended Award winner for his aquatint, multi-plate etching Down to the River.

‘Many of the deeply red multi-plate monotype works included in Intuition incorporate organic forms that remind the viewer of hastily glimpsed, evanescent bones or muscle tissue encased in blood dyed veils of fugacious muslin scrim. The constant repetitious pumping beat of the Suzanne Vega song ‘Blood Makes Noise’, echoes as foramen within bone are displayed, paths are mapped for the eye, to travel up and down tendons.’

(Excerpt by Dr. Thomas A. Middlemost
Art Curator, Charles Sturt University Art Collection)

Highlights

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Virtual Exhibitions

SERIES: Artists’ Studios Through COVID19

Lucinda Tanner in studio through COVID19
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Philip Davey in studio through COVID19
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David Moore in studio through COVID19
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Harper Nudelman opening

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Our Stories

QG Goes Virtual

July 15th, 2020|

Near, far or in COVID lockdown, you can now pop in and see QG&W exhibitions from anywhere at any time. As well as continuing physical exhibitions, now, whether the gallery is open or closed, or whether patrons are in lockdown or not, QG&W virtual exhibitions provide an additional form of

Michael Leunig Studio Snippet

May 8th, 2020|

SERIES: Artists’ Studios Through COVID19 Forming part of the Human Emotion exhibition with David Frazer and 27 artists contributing to the Human Emotion print exchange, Michael Leunig and studio assistant Nicola Dierich give us a snippet of their day. In this instance, Michael is signing and preparing works

David Frazer in the Studio

April 29th, 2020|

SERIES: Artists’ Studios Through COVID19 Forming part of the Human Emotion exhibition with Michael Leunig and 27 artists contributing to the Human Emotion print exchange, David Frazer gives us a glimpse of his daily studio life. COVID19 or not, the artist ritual continues. David lives in Castlemaine next

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