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Artist: Elmari Steyn VE of 4 Print size: irregular Paper size: 56(h) x 38(w)cm Framed Size: 66(h) x 48(w)cm Medium: multiplate etching, aquatint and chine-collé, hand colouring with 23k gold leaf Price: $1,000 unframed Artist's statement Startled by the sudden piercing calls of gulls, the tallest of the trees saw them first. The ocean calm, slowly drifting closer in a cloud of light. The old tree seemed so much taller, even prouder, with remnants of the exquisite vine held safely high in his branches. The boat they barely recognise, now a deep red, its prow still slender but new tentative young buds growing out. The boat has found its heart of fire. -
Artist: Elmari Steyn VE 1/4 Print size: irregular Paper size: 56(h) x 38(w)cm Framed Size: 66(h) x 48(w)cm Medium: multiplate etching, aquatint and chine-collé, hand colouring with 23k gold leaf Price: $1,300 framed Artist's statement Startled by the sudden piercing calls of gulls, the tallest of the trees saw them first. The ocean calm, slowly drifting closer in a cloud of light. The old tree seemed so much taller, even prouder, with remnants of the exquisite vine held safely high in his branches. The boat they barely recognise, now a deep red, its prow still slender but new tentative young buds growing out. The boat has found its heart of fire. -
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Artist: Elmari Steyn VE of 4 Print size: irregular Paper size: 56(h) x 38(w)cm Framed size: 66 h) x 48(w)cm Medium: multiplate etching, aquatint and chine-collé, hand colouring with 23k gold leaf Price: $1,000 unframed Artist\'s statement In the last light of the grey afternoon, the boat and tree came to rest against a small rocky island. Exhausted by the long journey and rough ocean, the boat simply fell asleep. The cold current collapsed in shallow puddles and the fish declared he needed the deep to sleep. The tree felt restless, a bit itchy but deep into the starless night, he drifted off. He woke with a start as the first shaft of light broke through the fog. It touched his branches; the warmth sent a shiver down his trunk and woke the boat. They were floating in light. An exquisite vine had sprouted in the hollows of the tree, in full bloom, clouds of golden pollen drifted in the early morning light. -
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Artist: Marketa Kemp Size: 37(h) x 33(w)cm Medium: oil on linen Price: $1,700 framed -
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Artist: Elmari Steyn VE 1/4 Print size: irregular Paper size: 56(h) x 38(w)cm Framed size: 66 h) x 48(w)cm Medium: multiplate etching, aquatint and chine-collé, hand colouring with 23k gold leaf Price: $1,000 unframed Artist's statement In the last light of the grey afternoon, the boat and tree came to rest against a small rocky island. Exhausted by the long journey and rough ocean, the boat simply fell asleep. The cold current collapsed in shallow puddles and the fish declared he needed the deep to sleep. The tree felt restless, a bit itchy but deep into the starless night, he drifted off. He woke with a start as the first shaft of light broke through the fog. It touched his branches; the warmth sent a shiver down his trunk and woke the boat. They were floating in light. An exquisite vine had sprouted in the hollows of the tree, in full bloom, clouds of golden pollen drifted in the early morning light. -
Artist: Elmari Steyn VE of 4 Print size: irregular Paper size: 56(h) x 38(w)cm Medium: multiplate etching, aquatint and chine-collé, hand colouring with 23k gold leaf Price: $1,000 unframed Artist\'s statement The storm passed! Wind-blown, tired and covered in flotsam and kelp, the cold current pushed the boat into a quiet cove. High on the rocks stood a stunted tree, branches broken and barely alive. The sapling next to him, he said was his daughter, strong and colourful, like her mother. She held the tired boat firmly while the two old trees discussed the absence of sunshine. Their murmurings were overheard by a large fish residing in the deep. Gliding gracefully to the surface, the fish said he is called the Wanderer, he knew where to find the sun and how to return the light. He had swum all the oceans known to man and fish. He would gladly show them the way, but oceans are wild and greedy, and they need to travel light and fast. The old tree then called upon the gulls to clear his head and lighten the boat. -
SOLD
Artist: Elmari Steyn VE 1/4 Print size: irregular Paper size: 56(h) x 38(w)cm Medium: multiplate etching, aquatint and chine-collé, hand colouring with 23k gold leaf Price: $1,300 framed Artist's statement The storm passed! Wind-blown, tired and covered in flotsam and kelp, the cold current pushed the boat into a quiet cove. High on the rocks stood a stunted tree, branches broken and barely alive. The sapling next to him, he said was his daughter, strong and colourful, like her mother. She held the tired boat firmly while the two old trees discussed the absence of sunshine. Their murmurings were overheard by a large fish residing in the deep. Gliding gracefully to the surface, the fish said he is called the Wanderer, he knew where to find the sun and how to return the light. He had swum all the oceans known to man and fish. He would gladly show them the way, but oceans are wild and greedy, and they need to travel light and fast. The old tree then called upon the gulls to clear his head and lighten the boat. -
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Artist: Julianne Ross Allcorn Artwork size: 51 x 123cm Medium: Pencil, gouache and watercolour on Birchwood panel Price: $8,500 framed Artist's Statement The Bathers in a Woven Landscape is a meditation on the female form, artistic legacy, and the presence of women as creators, not just subjects. Inspired by a life-drawing workshop I led, where a model posed in gestures drawn from Degas, Lautrec, Schiele, and Bonnard, the work takes historical male perspectives as a point of departure, not conclusion. Interwoven are imagined conversations with women artists past and present: Amber Creswell-Bell, Wendy Sharpe, Suzanne Valadon, Alice Neel, Laura Knight, and Paula Modersohn-Becker. Their voices I seek to respect and bring forward into art history. Set in the Australian bush, a landscape I deeply respect and spend much of my time in capturing all she offers, the figures merge with their environment, reclaiming visibility and space. Working in mixed media on wood panels, I embed texture, layers and memory into the surface. At its core, this work is about respect for women, for nature and for the enduring strength of the female artist. -
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