Near, far or in COVID lockdown, you can now pop in and see QG&W exhibitions from anywhere at any time. As well as continuing physical exhibitions, now, whether the gallery is open or closed, or whether patrons are in lockdown or not, QG&W virtual exhibitions provide an additional form of
Hague / Lancaster / Pavlidis / Ricardo – The Opening View Exhibition
SERIES: Artists’ Studios Through COVID19 Forming part of the Human Emotion exhibition with David Frazer and 27 artists contributing to the Human Emotion print exchange, Michael Leunig and studio assistant Nicola Dierich give us a snippet of their day. In this instance, Michael is signing and preparing works
SERIES: Artists’ Studios Through COVID19 Forming part of the Human Emotion exhibition with Michael Leunig and 27 artists contributing to the Human Emotion print exchange, David Frazer gives us a glimpse of his daily studio life. COVID19 or not, the artist ritual continues. David lives in Castlemaine next
SERIES: Artists’ Studios Through COVID19 Extending heartfelt Anzac gratitude today – March 25, 2020 and inviting you into Gallipoli Art Prize winner 2018, Steve Lopes's studio. A huge thanks to Riste Andrievski producer of the video. Studio music by Ben Lopes, Supahoney (Steve's son). View Steve's limited
SERIES: Artists’ Studios Through COVID19 Forming part of the current exhibition with Rick Amor and Philip Davey, David Moore gives us a glimpse of his daily studio life. COVID19 or not, the artist ritual continues. David lives in Castlemaine next to fellow artist and friend, David Frazer.
Philip Davey gives us a glimpse of his daily studio life. COVID19 or not, the artist ritual continues. Forming part of the current exhibition with Rick Amor and David Moore at QG&W, Philip Davey is also represented by Australian Galleries where directors Soula and Theo Mantalvanos originally
Dropping off artworks for his upcoming exhibition with Rick Amor and Philip Davey, David Moore provides us with an insight into his use of Gouache and his limited colour palette.
(Images: The Pain Revolution riders stop in for a quick hello on their way to Gippsland via the ferry on the weekend of the Outreach Tour. In the workshop with Trevor Barker, Pain Revolution, Theo & Soula Mantalvanos and Michael Leunig) UPDATE: Apr
QG&W welcomes the fourth recipient of the QG&W RMIT Open Bite Graduate Award, Sofia Montero-Rivas. Once again we extend our gratitude to co-sponsors Shelter Shed Queenscliff who will be providing Sofia's sustenance breakfast and lunch, all week! QG&W are ever-grateful for the opportunity to be collaborating with RMIT in
(Photos: Nguyen Dang. Joel Wolter with Theo Mantalvanos) Congratulations After a brilliant official opening for the PPP19 yesterday it is with QG&W's great pleasure to be able to announce the PPP19 winners. Geelong Gallery director, Jason Smith and master printer, Bill Young faced the very difficult task of selecting
(Image: Theo & Soula Mantalvanos with QG&W Award Winner, Marian Crawford. Photographer, Hails & Shine) Celebrations for Australian printmakers began Thursday evening at the Geelong Gallery Acquisitive Print Award (GGAPA). Congratulations to GGAPA winners Teho Ropeyarn (winner of the Geelong acquisitive print award $5,000), and Brian Robinson
Together with RMIT, it is our great honour to have established the annual QG&W RMIT Graduate Award and this year it was Adam Wilkinson who won the award and joined us for a week. Adam received: five days private access to the print workshop at QG&W use of the press,
Speaking to this year’s annual print exchange theme of “historia”, last night we heard Greek Australian playwright Kat Moritz‘ premier reading of her latest play, Alcestis – an adaptation of Euripides’ play. Alcestis is the culmination of Kat’s recent trip to New York where she worked intensively with international
It was an exceptional evening of conversation listening to two of Australia's most prominent illustrator's, Jim Pavlidis and Michael Leunig. Election eve heated up the discussion adding to the work stories of the two colleagues from their couple of decades at The Age. Then into art speak and
Theo recently had the opportunity to present the story of Streeton Prints to an impeccable group of gentlemen of the Mens Probus Club of Point Lonsdale and Queenscliff. The story – still unheard by many locals was received with great interest especially as it was presented by Theo who posthumously